Monday, February 17, 2014

Cibo Matto



One of the happier reunions of 90s bands includes the return of New York's Cibo Matto.  Below, they get the Gasland treatment from director Josh Fox, showing they're still obsessed with food and, apparently, now ghosts as well.


Cibo Matto play The Earl tonight.  Brooklyn's Salt Cathedral opens.  Doors at 8:30, but the show is very nearly sold out (or so I'm told) so you might want to get there early.

Sunday, February 16, 2014

Little Dragon

Little Dragon at Doug Fir Lounge, MFNW (RIP), 2011

Here's some welcome news: Sweden's Little Dragon have a new album, Nabuma Rubberband (whatever that means), coming out in May.  They've already released one new song from the album, Klapp Klapp (below), and announced a few tour dates, mostly in Europe but also some American festivals, including SXSW, Coachella, and Portland's Soul'd Out (although the Soul'd Out web site doesn't seem to know anything about this). More American dates will doubtlessly be announced, and here's hoping they include at least one date in Atlanta. 



Here's Little Dragon at Bumbershoot back in 2011.  Dude, I was there!


Update:  An Atlanta date has been announced - June 14 at Variety Playhouse

Saturday, February 15, 2014

The Casket Girls, 529, Atlanta, February 14, 2014



I reminded myself about last night's show last year yet still very nearly forgot about it, only noticing the listing on the Creative Loafing's Things To Do post yesterday afternoon.  I'm glad I made it, though, as it turned out to be one of the more interesting shows I'm likely to see this year.

ShakeMap PGV Image

Before the show even started, though, there was a Magnitude 4.1 earthquake centered near Edgefield, South Carolina at 10:23 pm.  Shaking was reportedly felt here in Atlanta, although I didn't notice and no one in 529 showed any reaction. This was the first night of the Graveface Roadshow tour, though, and it's appropriate that it kicked off with a literal earthquake, even if a minor, non-damaging one.



Opener Dreamend is the musical project of Graveface Records founder Ryan Graveface.  Graveface performs with his face concealed by a black-and-white-striped balaclava with a built-in microphone, possibly the first electric balaclava in rock music, and was backed by drummer Peter Seeba and by J Cep of The Stargazer Lillies on bass.  Together, they play loud shoegaze bordering on post-rock that sounds very little like the acoustic-based music in the video above.  By the second song, Graveface had broke the D string on his guitar but gamely carried on, noting after the first post-D-string song, "As it turns out, the D string isn't all that important after all."  Despite the technical mishap, it was a good set to start the night.      


Drummer Peter Seeba stayed on for the next band, The Stargazer Lillies, while J Cep switched from bass to a heavily processed guitar and K Field took over the bass and vocal roles.  I wouldn't go so far as to say Cep looks like actor Jason Schwartzman, but he does look like a character Schwartzman could easily play, while Field has the glam look of a Deheza sister (School of Seven Bells).


As their name implies, The Stargazer Lillies play a dreamier brand of shoegaze post-rock, with Cep creating wall-of-sound textures with his expansive pedal boards and loop effects, even bowing the guitar at times.  It was hard to hear Field's vocals at times over the loud guitar, but Cep's outstanding guitar showcase was really quite impressive in its own right.    


By 12:30, the two opening bands virtually merged to back headliners The Casket Girls.  Peter Seeba stayed on drums, pulling triple duty and playing the entire bill, while Ryan Graveface returned to the stage to play keyboards.  J Cep and K Fields of The Stargazer Lillies took turns on bass for those songs that had bass lines (on other songs, the bass parts were covered by the low end on Graveface's keys). 


Which brings us to The Casket Girls themselves.  Sisters Phaedra and Elsa Greene stayed in character all night, preserving their aura of mystery by wearing sunglasses and leather jackets all evening, even while mingling in the audience before their set.


On stage, they put on a terrifically entertaining performance, matching their beautiful and haunting melodies with at times hilarious choreographed girl-band dance moves. For I've Got A Secret, they put on elbow-length black gloves and covered each other faces like in their video for the song.  The video for Heartless captures their choreographed moves, as well as their odd and distinct sense of humor.



They opened their set with Same Side, probably my favorite of their songs, and played a 45-or-so-minute set.  Graveface's keyboards provided a gritty, edgy backdrop to their melodies, annihilating pop sentimentalities and moving the sound into its own spooky realm.  If you're a fan of bands like Azure Ray or Lucius, but want a little more David Lynchian, deadpan Twin Peaks humor in your songs and a little more bite to the sound, The Casket Girls might be the band for you.  They certainly work for me. 

Friday, February 14, 2014

On the Unfathomable Mysteries of The Casket Girls



It's rare that you can watch an entire video of a band and at the end feel like you know less about them than when you started.


Wednesday, February 12, 2014

RIP MFNW


This confirms the rumors - MFNW has been reduced from a week-long, multi-venue event in early September to a weekend festival at Waterfront Park in mid-August.  More significantly, The Oregonian, Portland's daily newspaper, reports the festival will only be booking 18 bands this year, down from 170 last year.

All that being the case, I won't be going this year, but it was good while it lasted. Je ne regrette rien.

Tuesday, February 11, 2014

Yuck at The Earl, Atlanta, February 10, 2014


With 24 hours or less before the apocalyptic ice-and-snow emergency descends upon Georgia ending life as we know it according to the local news reports, the London band Yuck played a Monday-night set at The Earl.  I have other obligations on Monday nights and don't usually get out to hear music on Mondays, and by the time I got to The Earl last night I had missed opener Pls Pls, but I did get there in time to hear Toronto's Alvvays warm up the audience.


Alvvays play "wistful, jangly, Brit-tinged indie-pop" (Brooklyn Vegan) and is the new band fronted by former solo artist Molly Rankin.  They're fun to listen and bob your head along to, and provided a good start for the evening.  Bonus points to the band for stringing Christmas lights all over the stage to give their set a literal warm glow. 


Yuck took the stage at about 11:15 and played a flawless set of their catchy lo-fi, shoegaze music.  Less than 60 seconds into their first song, I knew that I had made the right decision in going out on a Monday, even with the dreaded Snowpocalypse threatening to descend upon us.   


Yuck are an easy band to love, and I'm surprised they're not filling larger venues like Terminal West or Variety Playhouse instead of The Earl.  Frontman and singer/guitarist Max Bloom sounded great, and drummer Jonny Rogoff, he of the enviable afro, wore a hilarious Diarrhea Planet t-shirt and had altered the "Ludwig" on his bass drum to "Hedwig" using what appeared to be duct tape.


Bassist Mariko Doi remained hidden in plain sight behind her long bangs the entire set, and new guitarist Ed Hayes sounded just fine.




They played Rebirth at about the middle of their set, and closed with the incendiary Operation.


They played a two-song encore, fittingly ending the night with Georgia, Bloom seemingly genuinely surprised when someone in the audience reminded him that he was actually in Georgia.




So now it's the next day and the State of Georgia (the song's actually about a girl named "Georgia") is anxiously awaiting its forecast demise by ice and snow.  President Obama has already declared a federal state of emergency even before the first snowflake has fallen and while temperatures are still in the upper 30s, but if I'm destined to freeze to death over the next few days, at least I'll be dong it with some great songs still echoing in my head.