We missed Girl Talk at MFNW (RIP) 2012 due to our side trip to see My Morning Jacket in the Oregon countryside, but we did catch Warpaint in Seattle at Bumbershoot 2011. We also saw Future Islands at the god-forsaken Masquerade before they exploded on Letterman last month.
Sunday, April 13, 2014
Coachella Knees
Saturday, April 12, 2014
S Carey & White Hinterland at Eddie's Attic, Atlanta, May 11, 2014
In one of the most startlingly non-rock'n'roll moves of the year, the promoters and proprietors of Decatur's Eddie Attic decided to put on a show featuring S. Carey (of Bon Iver) and White Hinterland starting at 7:00 pm, still the height of Atlanta's rush hour and an hour too early to allow one to eat some dinner beforehand - I had to arrive directly from work without even stopping home to feed the cats.
So with that off my chest, it was a great show, due entirely to the artistry of the performers and not the constant "shushing" of Eddie's management to the audience (note to Eddie's Attic: you might want to reevaluate your attitude toward your audience and honestly decide if promoting music shows is the right livelihood for you).
So, with that now off my chest, White Hinterland opened at 7:00 sharp (note the daylight coming in through the window at the upper right). White Hinterland is Scituate, Massachusetts' vocal powerhouse Casey Dienel, a graduate of the New England Conservatory of Music and keyboard and loop-supported one-woman band. She performed an emotive and stylistically diverse set of songs, ranging from quiet voice-over-keyboards songs to rhythmically complex orchestrations of multiply looped vocals.
Her set ended concluded with a call-and-response piece with the audience (poorly) attempting to match her wordless vocalizations, but as the keyboards slowly dropped out of the mix and Casey's unaccompanied voice filled the room (she even moved away from the microphone and sang unamplified), an otherwise cliched moment became truly transcendent.
After that, the audience didn't want her set to end and at only 7:45 pm, it didn't seem like it should have to, but all was quickly forgiven when Eau Clair, Wisconsin's (god, I'm so specific today) S Carey took the stage.
We've seen S Carey once before, back in June 2011 when he opened for David Bazan (Pedro the Lion). Much like Bon Iver, for whom he plays drums, S Carey's music is hard to classify, ranging at times from quiet, polite balladry, to rhythmic, tribal percussion, to indie rock with electronic flourishes and coloration. To put it another way, he's a skilled interpreter of his music, willing to add whatever elements are necessary to convey the emotional content of his songs.
S Carey performed several new songs from his new album, Range of Light, and ended his set with a great one-two punch, staring with his probably best-known song, In The Dirt.
In The Dirt, including its enthusiastic audience clap-along, was then followed by White Hinterland joining him on stage to cover Bjork.
@hessie via Instagram |
Despite the early hour and the restrictive (repressive?) nature of Eddie's management, there was still something magical about the performances, the evening, and the artists. I can't wait to see White Hinterland and S Carey perform someday at a real venue.
Friday, April 11, 2014
Real Estate
Frankly, it's more surprising to discover that Real Estate haven't played on television yet than it is to realize that Stephen Colbert will be taking over David Letterman's job.
Thursday, April 10, 2014
Austerity Blues
Another song from Thee Silver Mt. Zion, etc., this one a mere excerpt from a song on their recent Fuck Off Get Free We Pour Light on Everything. Did I mention they're coming to Athens' 40 Watt next week?
Wednesday, April 9, 2014
Mutual Benefit vs. Shaky Knees
So the Shaky Knees schedule has been announced, and the whole festival starts with Mutual Benefit playing the Piedmont Stage (which appears to be in the space that Cirque du Soleil always sets up their tents) on Friday at 12:45 pm.
I missed Mutual Benefit at The Earl earlier this year, as it was on a Monday night after my first day back at a real, full-time job in almost two-and-a-half years. However, it shouldn't be as much of a challenge getting to Shaky Knees in time to hear his opening set.
Other than scheduling Mutual Benefit a tad too early, I don't see any other major irregularities in the schedule, other than Friday is clearly better that Sunday, and Sunday is clearly better than Saturday (Fri > Sun > Sat). But even Saturday still has the terrific Lord Huron, as well as Modest Mouse, Jenny Lewis, and Conor Oberst, so it's not like there's really anything to complain about.
Tuesday, April 8, 2014
Thee Silver Mt. Zion Orchestra . . .
. . . And Tra-La-La Band, featuring members of Godspeed! You Black Emperor, have released a new song, Birds Toss Precious Flowers. The southern leg of their current tour doesn't touch down in Atlanta, but will have them performing at the 40-Watt in Athens on April 15 before they embark on the tour de ville (Asheville, Louisville, Nashville).
I'm scheming how to arrange a business trip to Athens next week. . .
Monday, April 7, 2014
Cell Song
As described by Fanfarlo, "Cell Song is a song about the body. Most of us think of ourselves as an individual, a unity. Some sort of lone spirit living inside the head of a soft machine. But really we are the product of billions of little organisms that at one point decided that they were better off together, and so gave up their independence and joined together in a pact for survival. It's a beautiful thing, how the body is at once one and many. Like an evolutionary love story."
The Cell Song video employs thousands of individually inkjet-printed sheets of paper to create a stop-motion world teeming with bizarre cutouts from childhood science fiction and story books, and a cast of topsy-turvy biology gone decidedly strange.
Enjoy.
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