Wednesday, April 30, 2014

EMA at The Drunken Unicorn, Atlanta, April 29, 2014

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Update: Somehow, I managed to lost the entire original post about Tuesday night's show at The Drunken Unicorn (old people and technology), so this is a complete re-post.

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As I recall, the show opened with Atlanta's No Eyes (Georgie Seanny), who was joined on wordless vocals for one song by William Fussell of Mood Rings.  Most of the people in the audience other than me were with the other bands playing later, and Erica M Anderson (EMA) herself was crouching down near the front, recording most of No Eyes set on her iPhone, and seemed to be enjoying it quite a bit. 

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Providence, Rhode Island's The Downtown Boys were up next, playing high energy, sax-driven, garage punk.  Everyone had a lot of fun both on and off the stage, with EMA and her band dancing throughout the set.



I've been wanting to see EMA live for years now, ever since I first heard The Grey Ship.  I'm pleased to report that her show Tuesday night was even better than I had hoped.

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She played several songs off her new record, The Future's Void, opening with Satellites, and included California near the middle of her set, and even threw in a Bikini Kills cover.  



For someone with such a nihilistic body of work, she came across much more personable and likable than you might expect, shyly acknowledging the audience's compliments and keeping her stage banter pretty direct and honest.  I was disappointed that the audience was so small, and our attempt at an encore call fizzled out, but even as we started reluctantly filing out of the club, Erika came out on stage and asked if we wanted to hear one more.  Her generosity and humility kept the potentially awkward moment from being any more  uncomfortable than it needed to be.

That's about as much as I can remember.  It was a fun, fun night and all of the bands played highly disparate but terrific music.  A good night all around.

Tuesday, April 29, 2014

Annie Woodward



Annie Woodward is a singer/songwriter from Norway who fell into music "through theater through poetry through lots of random throughs."  She describes her music as "independent quirky folk meets alternative rock on a day off getting lost."  Recently, she introduced herself to this modest blog with the comment, "Hey, if you like CocoRosie, check out my folk rock with balls here: soundcloud.com/anniewoodward. Oh and I'm from Norway, peace, Annie."

If you like her sound as much as I do, you really ought to check out her Soundcloud.  You can hear the CocoRosie influence, as well as so much more if you give the songs even half a chance.


Nice to make your acquaintance, Ms. Woodward!  Come to Atlanta and play The Earl some day.

Sunday, April 27, 2014

Warpaint

Warpaint at Bumbershoot, 2011
Wondering when Warpaint will get around to touring the American South again, or if our paths will cross on the festival circuit?

Saturday, April 26, 2014

Friday, April 25, 2014

Angel Olsen at The Earl, Atlanta, April 24, 2014

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Thursday night, April 24 - my first night back at The Earl since The Dum Dum Girls last March 20th.


Opening the relatively short, two-band show last night was Nashville's Promised Land Sound featuring a retro, early-70s brand of country rock.

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Their set was pleasant enough and wisely short, because the full house was really there to hear Angel Olsen.

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My friend Leslie compared Angel Olsen to "Sharon Van Etten's younger sister," and I can't really fault that description or come up with anything more apt.  I would love to hear the two of them collaborate someday.


So, she played a very nice set of songs and kept the stage banter fairly deadpan and low key ("You seem like nice people, but I don't really know you."), and noted when the time was 11:11.  Last night was the first of the second leg of her US tour (the first leg was February 18 through March 14, and she was in Europe March 23 through April 6).  Despite the two-week break since getting back from the European circuit, she and the band already seemed a little road-weary - perhaps it was in anticipation of the long slog of shows coming up, or maybe it's just a part of her natural insouciance.

The Earl audience gave her the attention she was due, and it's already clear that this is going to be a very big year for Angel Olsen.