Monday, September 1, 2014

Bumbershoot, Day Three

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The last day of my last Bumbershoot, and I have to admit it: this was my most enjoyable Bumbershoot yet.  Here's a late-night recap of the bands we saw today:

GOLD & YOUTH

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Gold & Youth came on early, taking the stage at 12:30 and only being allotted a 30-minute set, but kicked off the day nicely with their moody anthems.  Highlights included, naturally, their closer Time To Kill.

LA LUZ

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La Luz took the stage at the same early hour as Gold & Youth, but were allotted a more luxuriant 45 minutes to play, so I was able to catch the last few songs of their set after Gold & Youth were finished.

HOBA HOBA SPIRIT

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Going through the schedule, I did not plan on seeing any band named "Hoba Hoba Spirit" or have any interest in hearing any band named "Hoba Hoba Spirit," but as I had some free time after La Luz, I wandered over to the Fisher Green Stage and to my surprise found myself enjoying the funky set of Moroccan punk ("Moroccan roll" as the band put it) by Casablanca's Hoba Hoba Spirit.  Even though one of the singers wore a Clash Sandanista t-shirt, sadly, they still had to sing a song called I Am Not a Terrorist to dispel any Western suspicions about them.  Later in the day, Jonathan Richman would say that the most promising thing he saw during a recent tour of the Middle East, the only promising thing in fact, were joint Israeli and Palistinian punk-rock bands. After they got the audience up and dancing, no small achievement in Seattle, Hoba Hoba Spirit even got them singing along in Arabic, an even greater achievement in these polarized times.

CAMPFIRE OK THE WEATHER

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I saw Campfire OK in 2011 at my first Bumbershoot, so I noticed that they had a new and different lineup when they took the stage today.  However, I was still surprised when their front man, Mychal Cohen, announced that this was their very last set as "Campfire OK," and from now on they will be called "The Weather."  Anyway, still a fun set from an up and coming band.

DAKHA BRAKHA

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This was the real surprise of the day.  Just like with Hoba Hoba Spirit earlier in the day, I did not plan on hearing any band named "Dakha Brakha" today as I was going through the schedule.  But as it turned out, this three-women and one-man band played native music from "the free Ukraine," and featured otherworldly harmonies, interesting rhythms, and exotic-sounding instruments, reminding us how far east the Ukraine really is.  It's not rock, but fans of bands like Dirty Projectors and Bjork should find them interesting.  I was mesmerized.  

ROSE WINDOWS

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Psychedelic blues rock from a band that sounded like they could have opened for Janis Joplin or Grace Slick at the Fillmore West back in the 1960s.  Some people might mistake that remark for a criticism, but I mean it as the highest compliment.

MEXICAN INSTITUTE OF SOUND

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Funky electronic hip-hop-influenced dance music straight from the heart of Mexico City.  The infectious beats had your humble narrator up and dancing, despite his sore feet from two-and-a-half days of Bumbershoot.

JULIANNA BARWICK

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Wisely, the organizers set Julianna Barwick up in an indoor venue, so her quiet, ambient soundscapes wouldn't have to compete with the backbeats and noise from the other stages.  Still, it was quite a transition from the dance-oriented sound of the Mexican Institute to Barwick, but the sheer artistry and brilliance of her playing rewarded the effort, and the audience hung in there in total silence through her spell-binding set.

BOMBA ESTEREO

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Back to the dance.  It was only 100 yards but it felt like a whole different universe coming from Julianna Barwick's ambient set to the latin-infused hip-hop dance music of Columbia's Bomba Estereo, but in this case, it was the desination and not the journey that mattered.  A great set and a whole lot of fun.

NADA SURF

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Finely crafted indie-pop by 20-year veterans of the scene.  

JONATHAN RICHMAN

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Not unlike with Julianna Barwick earlier, I wondered how Jonathan Richman's music would fare in a festival setting.  As it turns out, his improvisational and spontaneous approach is the perfect tool for keeping a large audience's attention, and he had the crowd in the palm of his hand through his hour-long set, which seemed to fly by far too quickly.

REAL ESTATE

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Real Estate are one of my favorite bands, and a perfect nightcap to end my last Bumbershoot.  At one point, bassist Alex Bleeker asked the audience if anyone had been lucky enough to catch Jonathan Richman earlier and asked what he had played, and when someone offered Egyptian Reggae, guitarist Martin Courtney spontaneously launched into a note-by-note, perfect cover of the song's main riff.  Just from that episode alone, you can tell how much these guys love their rock, and wouldn't it be so much fun to just hang out with these guys, talking music and going through their record collections?  In any event, they played a wonderful set of their layered, jangley music, and it was all so lovely that at times I even forgot where I was, or that the festival was ending, or how much my feet hurt from standing on them for three days. 

So that's it.  Best Bumbershoot ever.  At least for me.

And now it's over.

Sunday, August 31, 2014

Bumbershoot, Day Two

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Today, Sunday, was supposed to be the slow day for me at Bumbershoot, the day I just had to exercise a little patience and endurance to get from Saturday to Monday, although I kept wondering how a day that featured both Kishi Bashi and Pickwick could ever be considered "dull."  But as it turns out, the weather held up (mostly sunny, no rain), and the music, after a slow start, was terrific. Here's a recap:

MANATEE COMMUNE

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To be honest, I never really gave this guy much of a chance, just stuck my head in the Pavillion Stage for a minute or two, and then wandered off to go see Hobosexual.

HOBOSEXUAL

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A drum-and-guitar duo, the unfortunately named Hobosexual played loud, crunching rock with long hair flying and metal influences clearly displayed, but it was hard to figure how seriously they were taking themselves, and how seriously we needed to take them.

GOLDEN GARDENS

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Far better than the first two bands of the day, Golden Gardens trafficked in ethereal, slightly gothic, electronic soundscapes, with spacey vocals floating over the wash of sound.  They kept asking us to dance, but we didn't. Welcome to Seattle, folks.

SANDRIDER

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Loud.  Metal. Ignorable.

KISHI BASHI

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Kishi Bashi didn't start until 3:00, and at one point this morning I thought about staying away from the festival until then, but I'm glad I got there early enough to catch those initial bands and to get a good position one row off the rail for Kishi Bashi.  The people around me didn't seem to know him or what he does, and it was fun watching them discover as he unpacked his bag of tricks.

CRAFT SPELLS

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After a slow start, the festival schedulers put me through the paces for the next several hours.  After K. Ishibashi's set ended at 4:00, I had to rush over to the Endzone Stage in Memorial Coliseum to catch Craft Spells, who started promptly at 4:00.  I missed their first song (After The Moment?) or two, and got there as they were already playing, but I stayed for the rest of their short, 30-minute set.

DREAM SYNDICATE

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80s faves The Dream Syndicate started at 4:30 just as Craft Spells finished, so I had to hustle from the Endzone Stage in Memorial Coliseum to the Starbucks Stage by the mural for their set.  Bonus points for an extended John Coltrane Stereo Blues full of squealing guitar dissonance, and for getting to see Mike Mills Peter Buck and Scott McCaughey watching the set from backstage.

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NEGATIVLAND

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Negativland's set overlapped with The Dream Syndicate's, so when it sounded like the latter was wrapping it up, I bolted over to the Pavilion Stage to catch Negativland's set in progress. Much to my surprise, there was a long line to get in (I apparently underestimated Negativland's popularity with the Seattle audience), but once inside, I was treated to their caustic wit, righteous indignation, and bizarre mix of sampled sounds, highjacked video, and electronic music.

PICKWICK

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Things slowed down after the Negativland set, and I was finally able to get some dinner, and I met Tomo Nakayama walking through the crowd with his new puppy (he was kind enough to gracefully acknowledge my recognition).  After eating, I had to choose between watching the band Pickwick (the best band you never heard of), hear an all-star, Big Star tribute, or catch San Fermin, all scheduled to play at the same time (why couldn't the organizers put any of these bands on before 3:00, when I would have appreciated their presence?).  I eventually moseyed over to the Fisher Green Stage where Pickwick was scheduled to start in about 45 minutes, and surprisingly was able to get a spot right on the rail at center stage, a rare feat for a crowded, evening set.  I almost didn't recognize lead singer Galen Disston due to his new haircut (the former, Dylanesque look is gone), but Pickwick was on fire and played unquestionably the best set I've heard from them yet, and they even trotted a six-man horn section out onto the stage to accompany them on their final three or four songs.  A special night by the band, and I knew that I had made the right choice.

BOOTSY COLLINS

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My original plan had been to leave after Pickwick, but since I got the center stage rail, I realized that all I had to do was stay right where I was to get the same spot to see funk legend Bootsy Collins from a once-in-a-lifetime vantage point at the front of the stage, a nearly impossible feat for a Bumbershoot headliner (and I can honestly say I don't expect to ever see Bootsy from that spot again).  Bootsy is a natural entertainer and showman, and his set was fun, exhilarating, thoroughly entertaining, and, well, funky.  I'm glad that I stayed.

So that was the "slow" day. I didn't expect to be rushing around so much from one stage to the next on the "slow" day, nor to have heard so much terrific music.  A slow start to be sure, but once it going, wow.  And Monday looks to be every bit as special. 

Saturday, August 30, 2014

Bumbershoot, Day One

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Okay, to get the most obvious and most irrelevant thing out of the way first, it rained today, for the first time in four years of coming to Seattle for Bumbershoot,  Not that it mattered, it was a light rain, a drizzle really, and I spent most of the rainy hours indoors at the Pavillion Stage, where most of the acts I wanted to see were playing, anyway,  In fact, if it had been a sunny and beautiful day, I still would have spent most of my time indoors to see those same bands I saw today in the rain anyway. So nothing was lost due to the rain, and I got to wear my raincoat all day.

It's late now and I don't have the time or energy to post a whole lot about who I saw today, other than to post a few pictures and the briefest of one-liner recaps.

FLY MOON ROYALTY

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A Seattle hip-hop-influenced r&b band playing the outdoor Fisher Green Stage at the very beginning of the day.  I didn't stay around for much of them, as I wanted to get indoors for Modern Kin.

MODERN KIN

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Drew Grow, formerly of Drew Grow & The Pastor's Wives, who opened for The Head & The Heart at The Georgia Theater a few years ago, is back with a band that looks like most of The Pastor's Wives and put on a hard-rocking, satisfying opening set for the day.

DUDE YORK

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Snarling Seattle punks Dude York impressed us two years ago playing a small tent at Bumbershoot, and since then the lead singer grew a mustache but lost none of his bite. 

BILL NYE THE SCIENCE GUY

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The comedy acts are a big part of many people's Bumbershoot Festivals, and may be the only part for some folks, as far as I know, but since this is my last Bumbershoot and I've never attended a comedy show here, I braved the lines and caught Bill Nye The Science Guy with comics Eugene Mirman (who opened for Andrew Bird a few years ago at The Tabernacle) and Paul F. Thompkins for a panel discussion with a couple of astrophysics professors.  Laughs abounded.

TOMO NAKAYAMA

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Tomo Nakayama, the grand voice behind Grand Hallway, playing his music under his own name. Dreamy, lush, folk-pop masterpieces on a dreary Seattle afternoon.  Would have been perfect with a pot of herbal tea.

ISKA DHAAF

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First of two discoveries today, Iska Dhaaf (Somali for "let it go") are a drum-and-guitar duo who play fascinating, complex, psychedelic songs.  It would be great to hear more from them in the future.

POLICA

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Minneapolis' Channy Leneagh, two drummers and a bassist show Seattle what electronic rock music could sound like if the musicians were as intelligent, sexy, and talented as Polica are.  It had been over two years and too long since we last saw Polica when they performed at The Drunken Unicorn in Atlanta.

THE BOTH

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Singer-songwriters Aimee Mann and Ted Leo have joined forces as The Both.  There was a good give-and-take between them, but I didn't stay long as I wanted to check out the buzz about Yuna.

YUNA

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The second discovery of the day.  Yuna is a Malaysian singer with impeccable English (not that it should matter) who sings with a clear and wonderful voice.  It's not rock and certainly not indie rock, and not really my genre, but I was totally captivated and blown away by her vocal skills and presence, and just when you thought you'd heard all of her neo-soul love songs, she picks up a ukulele and plays a  pop song so cheerful it makes Kishi Bashi sound doleful by comparison. With any luck at all (both for her and for us), she could be a major star.

WU-TANG CLAN

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The pride of Staten Island took the stage 25 minutes late (early by hip-hop standards), and kicked the Mainstage's butt with their old school rap.  Confession time:  I left before their set was over, as did a large portion of the crowd.

Friday, August 29, 2014

Seattle

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The Crocodile is a music club at 2200 2nd Avenue at Blanchard Street in the neighborhood of Belltown in Seattle, Washington. Opened as the "Crocodile Cafe" on April 30, 1991 by Stephanie Dorgan, it quickly became a fixture on the local music scene. After opening the Crocodile Cafe, owner Stephanie Dorgan later married R.E.M. guitarist Peter Buck who became a partner in the Crocodile. Buck often played there with his other band, The Minus 5. Dorgan and Buck divorced in 2006 and the Croc closed unexpectedly in December 2007.

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After months of speculation, a group of business people and musicians including Alice in Chains' Sean Kinney purchased the establishment and reopened it in March 2009 after much-needed renovation. 

I walked past The Crocodile today during my walking tour of Seattle. Looking at the calendar of upcoming shows, I can safely say that both The Earl and 529 have more frequent, and higher caliber, bookings.

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However, I'll grant you that Seattle has a unique beauty all it's own.

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Also, I got to ride the monorail today.

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Thursday, August 28, 2014

Strand of Oaks



Strand of Oaks will play The Earl on 9/11 this year, the night after Little Tybee and Adron and the night before Islands and Teen play the same stage.

After a most disappointing summer, this will be an epic run.

Tuesday, August 26, 2014

Tomo Nakayama

Tomo Nakayama and Grand Hallway at Bumbershoot, 2011 
Hard to believe at this moment in time, but this weekend I'll get to ride the Monorail myself and get to hear Tomo Nakayama perform.