In 2009, he found only one excuse to take a business trip out to his beloved Oregon. His visit included a treacherous drive over the Cascades range in a developing blizzard that even had most seasoned Oregonians staying in the safety of their homes.
He survived. By the end of that year, his ears were wide open and he was discovering dozens of new bands. He came to realize that he was lucky enough to recognize that he was living in the middle of one of those revolutions in popular music not unlike the rock explosion of the 60s, and that the 2000's, and especially the late 2000s, were one of the most creative and extraordinary periods in modern musical history.
Not only was there great new music from the bands that he had discovered mid-decade - The Decemberists, Spoon, Metric, and Black Mountain - but newer bands (at least to him) like Dirty Projectors, Grizzly Bear, Fleet Foxes, and Animal Collective. Their music wasn't being played on the radio, his old reliable source of new music, but spread word of mouth on music blogs, web sites, and Usenet message boards.
Not only was there great new music from the bands that he had discovered mid-decade - The Decemberists, Spoon, Metric, and Black Mountain - but newer bands (at least to him) like Dirty Projectors, Grizzly Bear, Fleet Foxes, and Animal Collective. Their music wasn't being played on the radio, his old reliable source of new music, but spread word of mouth on music blogs, web sites, and Usenet message boards.
He had various theories as to why so much good music was being produced at that time. One held that with the collapse of the record industry and the mega-profits that hit bands could expect, the businessmen had all left the music industry leaving only the true artists behind. Another held that with the advent of low cost to free MP3, more kinds of music were getting in more ears, and bands were informed by any and everything from ambient to zydeco, from folk to classical to metal to psych to pop to electronica and on and on, all getting melded together in new and surprising ways. Another theory held that with the rise of rap and EDM, rock music was no longer burdened with being the preferred means for young people to shock and drive the adults away, leaving it free for a purer artistic expression unimpeded by the need to repel a segment of the audience.
No comments:
Post a Comment