Back-to-back shows this week with Father John Misty at Variety Playhouse following Nels Cline last night at Eddie's Attic.

Speaking of loud, King Tuff opened with a set of highly amplified garage rock. The were able to keep the audience's attention, if only by sheer volume, far better than Misty's opener at The Masquerade, the quiet and introspective folk singer Jessica Pratt. I don't think most of the Masquerade audience even knew Pratt was on stage, and fewer still acted like they cared, which was too bad. La Sera opened for Father John at Terminal West and provided just the right balance between Pratt's acoustic strumming and King Tuff's Marshall amps.
I didn't get any good pictures of King Tuff, but Variety Playhouse posted this one on Facebook, below, followed by some of my shots of FJM:
The most prominent feature of the stage was a large, neon "No Photography" sign conspicuously placed behind the band - they occasionally played in silhouette back-lit by the sign - but many people apparently ignored the rule based on the number of illuminated cell-phone screens I could see from my usual Variety Playhouse position back on the first riser, right.
Father John Misty played the expected songs off of Honeybear and Fear Fun, and included Leonard Cohen's I'm Your Man in their encore. Stage banter included references to Squidbillies, Bronze-Age desert myths, and gold-plated dollar-sign necklaces.
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