Showing posts with label Faun and a Pan Flute. Show all posts
Showing posts with label Faun and a Pan Flute. Show all posts

Sunday, March 20, 2016

This Week's Shows (3/21 - 3/27)


The Great Backwash:  With SXSW wrapping up in Austin today (Sunday), many bands are returning home or continuing their tours, and thus a second wave of bands are passing through the ATL, contributing to a pretty-good week of music.  Also, for some reason, Eddie's Attic is really stepping it up this week, featuring not only folk royalty Lucy Wainwright Roche, but also the adorable and irrepressible Basia Bulat, the moody Mount Moriah, and emerging stars Lily & Madeline.  Way to go, Eddie's!

You may also note that I've cut down on the number of listings.  Frankly, life is too short to waste time researching backgrounds, styles, and trivia of all of those hardcore, pop punk, and metal bands playing at the three stages of the god-forsaken Masquerade, or all of the unknown singer-songwriters passing through Smith's Olde Bar, and let's face it, Steve's Live Music is nothing but an after-dinner date-night destination for suburban white people.  I'll scan through those venue's offerings and note anything that looks worthwhile, but you don't need to wade through the complete listings and I'm not interested in writing those complete listings.  So there, I said it.   

As always, please keep in mind that musicians and night-club proprietors lead complicated lives and I'm prone to errors, mistakes, typos, and fubars; it's advisable to confirm any of the information below on your own before making plans. 

MONDAY, MARCH 21

Charles Bradley & His Extraordinaires, Tedo Stone (Variety Playhouse)
Like James Brown?  Charles Bradley was a JB impersonator before he found his own voice, but the soul styling and hard-work ethic of the master remains.  Plus Bradley is one of the most humble, most grateful and kindest musicians to grace a stage.  

Charles Bradley at Bumbershoot, 2011
Pusha T, Lil Bibby, G Herbo (Center Stage)
The Darkest Before Dawn Tour comes through the ATL.

Lucy Wainwright Roche and Suzzy Roche, Barnaby Bright (Eddie's Attic)
Talk about musical roots: Lucy Wainwright Roche is the daughter of singer-songwriters Loudon Wainwright III and Suzzy Roche, who, along with her sisters Maggie and Terre Roche, make up the vocal group The Roches.  Known for their unique harmonies, The Roches were major influences on the careers of the Indigo Girls, and Lucy has toured as an opening act for the Indigo Girls and the duo is featured on a couple of Lucy's songs.  Lucy is also the half-sister of singer-songwriters Rufus Wainwright and Martha Wainwright (whose late mother Kate was half of the Canadian folk duo Kate & Anna McGarrigle).

Kevin Garrett (Aisle 5)
Alas, not former Celtic great and current Timberwolf Kevin Garnett, but Pittsburgh soul-pop musician Kevin Garrett, now based out of Brooklyn.

Little Simz, Go Dreamer (Vinyl)
Islington, England's Little Simz is a tough-rhyming rapper whose approach is equally effective over jagged and smooth productions. She is also known as an actor for her recurring roles on the BBC's Spirit Warriors and E4's Youngers.

TUESDAY, MARCH 22

Palm, Warehouse, Gnarwhal, Dicaprio (529)
Philadelphia's Palm have been compared to everyone from Guerilla Toss, Women and Deerhoof to King Crimson and Unwound.   Atlanta's Warehouse finds its inspirations in Brazil’s bossa nova and tropicalia movements; their debut album Tesseract is a departure from some of their earlier new-wave material, and highlights more classic rock elements, matched by Elaine Edenfield’s guttural vocals.

House of Peace (Aisle 5)
Not to be confused with the Christian music band of the same name, the House of Peace tour is actually five very diverse international house music, EDM and funk DJs.

Forever Came Calling, Major League, Sudden Suspension, Lights After Dark, Summer Wars (Drunken Unicorn)
Pop punk.  A Masquerade-produced show held at the Unicorn.

WEDNESDAY, MARCH 23

Basia Bulat, Daniel Martin Moore (Eddie's Attic)
Basia Bulat is a Canadian folk singer-songwriter known for performing with an autoharp, who became one of the indie world's most talked about newcomers with the release of her first full-length album, 2007's Oh, My Darling.  We've seen her before at Eddie's, as well as The Earl opening for Seattle's Pickwick.



Summer Twins, The Shivas, Black Linen, Koko Beware (529)
Summer Twins are sisters Chelsea and Justine Brown, who write dream-pop and rock 'n' roll songs with a touch of California sun. They formed in 2008 with a focus on singing pop harmonies atop garage rock inspired by the ’50s and ’60s. We saw Seattle's The Shivas at an early-day KEXP show at Portland's The Doug Fir during MFNW (RIP) 2013 (dude-I-was-there video below), and later had brunch at the table next to them at the diner upstairs.



Astronauts ETC, Harriet Brown, Skybison (The Earl)
Oakland, California's Astronauts ETC are a "supermelodic pulp/arena pop" band touring after their appearances as SXSW.

A Night of David Bowie with The Ziggy Stardust Tribute (Terminal West)
These Bowie tribute shows are becoming a regular thing around town - this one will feature Timi Conley, Andrew Hanmer, Jay Rodgers, Chris McKay, Kristoffer Dede Giddens, Michael Wegner, and John James.

Real Friends, Movements (The Masquerade)
Sold Out

Kitten, Keeps, The Greeting Committee (Hell at The Masquerade)
LA quartet Kitten play '80s post-punk-influenced dance-rock and synth pop, fronted by dynamic (and very young) lead singer Chloe Chaidez,

Dreamers, Arkells (Purgatory at The Masquerade)
Brooklyn indie pop-rockers Dreamers play infectious rock in the vein of Surfer Blood and the Vaccines.  Arkells are an alternative rock band originally from Hamilton, Ontario that are named after Arkell Street near McMaster University.

Sad Fish, Misery Loves Chachi, Friendship, Lea Lea (Mammal Gallery)
Sad Fish plays Brazilian freak surf rock.   Atlanta's Misery Loves Chachi is an indie, dream-pop band combining chill-wave, Motown and African rhythms with post-modern chord changes and jazz harmonies. Friendship are from Philadelphia, and Lea Lea is an Atlanta-based experimental folktronica performer.

The Gordon Vernick Quartet (Red Light Cafe)
Every Wednesday night, The Gordon Vernick Quartet performs a few numbers and then invites other musicians and singers to join them on stage for a jam session. The quartet features Kevin Bales on keyboard, Marlon Patton on drums, Craig Shaw on bass, and Dr. Gordon Vernick on trumpet. There's no cover charge and plenty of free parking. Whether you're a professional or amateur musician, you're welcome to sit in; everyone who wants to perform will be given a chance to play.

THURSDAY, MARCH 24

Hippie Sabotage, Alex Wiley, Kembe X (Terminal West)
Sold Out.

Mount Moriah, Elephant Micah (Eddie's Attic)
Steeped in the dark, misty mountain lore of their Appalachian homeland and brimming with the fuzzed-out dark twang of their pasts, North Carolina-based alt-Americana outfit Mount Moriah blend the neo-traditional indie folk of the Low Anthem with the fire and brimstone of Sixteen Horsepower. Formed in the late 2000s by Heather McEntire and Jenks Miller, both of whom had spent considerable time at the opposite end of the folk spectrum as members of Bellafea (post-punk) and Horseback (psych-metal), respectively, the project grew out the pair's long friendship and shared love of American folk music.  After some drastic shifts in sound and line-up, the band's sound has settled into a sweet, melancholy strain of folk music.  Their song Calvander was recently selected by Minnesota Public Radio as The Current Song of the Day.

Jenks Miller (left) with Rose Cross at Hopscotch Festival, 2014
The Broadcast, Autumn Attics (The Earl)
Described as a modern day “Grace Slick meets Led Zeppelin,” Asheville’s The Broadcast is led by female powerhouse Caitlin Krisko.  Drawing much of their sound from 70s classic rock, The Broadcast are known for their explosive live performances.

Shepherds, Deep State, Mighty (529)
Atlanta post-punk noise/soul outfit Shepherds is fronted by guitarist Jonathan Merenivitch (Janelle Monae, Del Venicci, Dog Bite, and probably more).

Shepherds at Artlantis
The Malah, Universal Sigh (Aisle 5)
The Malah are a live-electronic trio who have been playing their organic, electro-grooves since 2003.

Sam Outlaw, Whitney Rose (Vinyl)
Sam Outlaw is a country music singer-songwriter who calls his music "SoCal country," country music refashioned with a Southern California vibe of the classic honky-tonk and troubadour pop.

Teedra Moses, DJ Tabone (The Loft)
Teedra Moses is an American R&B and soul singer-songwriter born and raised in New Orleans to a gospel singing mother, and brings a little bit of that fervor to her own vocal style.

Jeff Austin Band, Brit La Palm, Seth Winters (Music Room at Smith's Olde Bar)
Jeff Austin is a member of Yonder Mountain String Band.

Supersuckers, Jesse Dayton, Dead Soldiers (Star Community Bar)
Supersuckers are a party band that formed in 1988, playing a gleefully trashy brand of throttling, rockabilly-flavored garage punk. Their lyrics are a raucous, over-the-top celebration of sex, booze, drugs, Satan, and whatever other vices the band can think of, all glorified with tongue planted firmly in cheek. Save for an abrupt and temporary detour into hardcore honky tonk, their approach stayed relatively consistent through the '90s.

Upstate Rubdown, Cortez Garza (Red Light Cafe)
Upstate Rubdown is a group of rowdy musicians dedicated to creating fun and provocative acoustic pop music, with clever rhythms and harmonies. The band's influences range anywhere from traditional to classical and from jazz/show tunes to funk, with a shared love of soul, motown, and classic R&B, for a unique sound.

FRIDAY, MARCH 25

★★Marshall Allen+James Harrar: Soloriens Tetrad, Faun and a Pan Flute, To Too My (Mammal Gallery)
2014's set by legendary Sun Ra alto saxophonist Marshall Allen and experimental filmmaker and musician James Harrar, performing together as Cinema Soloriens, was one of the highlights of that year.  This year, they're performing as Soloriens Tetrad, and percussionist Klimchak and guitarist Chris Yonker (Hello Ocho) will join in for the performance.  Atlanta avant-gardists Faun and a Pan Flute and To Too My open.

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Ruby Velle and the Soulphonics (The Earl)
An Atlanta institution since 2007 featuring soulful lead vocals and a full horn section, Ruby Velle & the Soulphonics make earthy old-school '50s and '60s-style R&B.  Upon arriving in Atlanta from Gainesville, Florida, they landed a residency at the Star Bar and built a strong local following, and in 2010 and 2011, Creative Loafing voted them Atlanta's best soul band.

Shampoo, Crown Larks, Omni, Clothes (529)
Atlanta synthpop band Shampoo say they sound like "solo George Michael and the Congos songs where the high harmony dude sings lead."

Anderson East, Andrew Combs (Terminal West)
Athens, Alabama (the other Athens) singer and songwriter Anderson East's music is a potent, heartfelt fusion of soul, rhythm & blues, gospel, early rock & roll, and a dash of country.

Karbomb, Seagulls, Campaign, Spray Tan, Breaux (Star Community Bar)
This will be an LP release party for the Karbomb/Seagulls split album.

Yacht Rock Revue (Variety Playhouse)
Performing Pink Floyd’s Dark Side Of The Moon and The Beatles’ Abbey Road.

Norma Jean, He Is Legend, Forevermore, Rival Choir (Drunken Unicorn)
Norma Jean is a heavy, loud, rock 'n' roll band from Atlanta.

Jerry Garcia Band Cover Band, BYOG (Aisle 5)
I think the title's pretty self-explanatory.

SATURDAY, MARCH 26

Lily and Madeleine, Shannon Hayden (Eddie's Attic)
Lily & Madeleine are a folk-pop sister duo from Indianapolis.  The New York Times wrote that "the thing that flags them as extraordinary is their sibling vocal blend, deep and seamless and relaxed."

Nomen Novum, FiatNil, Pamela_ & Her Sons, Anticipation (529)  
A record release show for Atlanta's admirable Deer Bear Wolf Records, featuring Nomen Novum, FiatNil (Graham Moore and Magicicada). Pamela_ & Her Sons, and a DJ set by Anticipation.

Nomen Novum opening for Future Islands at Variety Playhouse, February 27, 2015


Dale Watson & His Lonestars, Cold Heart Canyon (Music Room at Smith's Olde Bar) 
Dale Watson is a Texas Country singer, guitarist, songwriter, and self-published author based in Austin. He champions "Ameripolitan" as a new genre of original music and has positioned himself as a tattooed, stubbornly independent outsider who is interested in recording authentic country music, and as a result, has become a favorite of critics and alt-country fans.

Rusted Root (Variety Playhouse)
Pittsburgh's Rusted Root are known for their fusion of acoustic, rock, world and other styles of music, with a strong percussion section that draws from African, Latin American, and Native American influences. The band achieved fame in 1994 with its platinum-selling album When I Woke, which included hit single Send Me On My Way. The song has been featured prominently in many films and commercials, and Rusted Root has sold more than three million albums worldwide.

A-Wa, Jaffa Road (Terminal West)
The Atlanta Jewish Music Festival Purim Party.  According to NPR, Israeli sister act A-Wa (Tair, Liron and Tagel Haim) "pull inspiration from their Yemeni Jewish roots, as well as exploring commonalities with their Arab neighbors, including language; the band usually sings in Yemeni Arabic."  NPR's All Songs Considered even singled them out for mention among the myriad bands at SXSW, especially after they sang a lullaby in Bob Boilen's hotel room.  The video for their song Habib Galbi (Love of My Heart) was filmed near their home village in the barren desert of Israel's far south. 


Newark Wilder, Fake Flowers, Sea Ghost (Drunken Unicorn)
Newark Wilder’s debut album, Vanessa Atalanta, produced by Luciano Giarrano at East Atlanta's The Cottage, is a diverse cornucopia of psychedelic punk that utilizes sneering guitars, punchy basslines, steadfast drums, and the swagger of frontman Benjamin Kinzer, a classically trained cellist.

Hot Rod Walt & the Psycho-Devilles, The Royal Hounds, Little Lesley and the Bloodshots (Star Community Bar)
Rockabilly.

Bongzilla, Black Cobra, Kings Destroy, Lo-Pan (The Earl)
Madison, Wisconsin's Bongzilla play an extremely thick and heavy, powerful mega-rock laced with homegrown, psychedelic sludge-core.

India Shawn, MeLo-X, Boyslashfriend, Kiya Lacey (Aisle 5)
LA singer and songwriter India Shawn utilizes a fearless experimentation with R&B elements and her smooth voice to connect with listeners.  India’s songs have spiritual and emotional components, and in 2013, Solange Knowles featured India’s popular track, I’m Alive, on her Saint Heron compilation album

Reza Sadeghi (Center Stage)
Reza Sadeghi is an Iranian pop singer and songwriter who has been singing since his childhood, when he began chanting the  Qur’an at school.

Junior Boys, Jessy Lanza, Borys  (The Loft)
Hamilton, Ontario-based electronic pop group, Junior Boys are a duo influenced by a number of underground and commercial sectors, including post-disco, arty synth pop, minimal techno, U.K. garage, and certain contemporary rap production styles.


SUNDAY, MARCH 27

Takenobu (Eddie's Attic)
A CD release show for the Andrew Bird of the cello.

Takenobu at 529, July 5, 2013

Monday, March 7, 2016

Faun and A Pan Flute


This came out a couple weeks ago, and I've been meaning to post this lovely and moving song by Atlanta's Faun and a Pan Flute ever since.  

Saturday, September 26, 2015

The Chris Childs Orchestra, The Mammal Gallery, Atlanta, September 25, 2015


On a momentous night for the advancement of Atlanta's downtown rejuvenation and growth of it's artistic community, the alternative weekly newspaper, Creative Loafing, celebrated its annual Best of Atlanta issue with a block party on South Broad Street.  South Broad, formerly the home to mostly abandoned shop fronts and a few marginal businesses, is being transformed with the assistance of The Goat Farm into a new arts district, with The Mammal Gallery and Eyedrum already operating in the area and new enterprises, such as Murmur and The Downtown Players Club, starting up.  The block party served not only to celebrate the Loaf's selections of the city's best but also as a formal debut of the Broad Street Arts District.

There were numerous events as a part of the party, including dance, gallery exhibits, and music, but the highlight was the first performance of the Chris Childs Orchestra in The Mammal Gallery.


The performance was originally scheduled to take place on the rooftop of Eyedrum, but due to inclement weather was moved to inside The Mammal Gallery.  The misty rain of the evening did not seem to dampen the mood of those celebrating the Creative Loafing event and the debut of the Broad Street Arts District, or take anything away from the Chris Childs' performance.

Before the orchestra played, Childs led a quartet of marimba, flute, oboe and percussion through a chamber piece to set the mood for modern compositional music.  Introducing the piece, Childs said it only consisted of four bars, but was set in 100/4ths time (so you try to figure it out). 


25 or so of some of Atlanta's best musicians (I recognized members of Faun and a Pan Flute, Hello Ocho, and Little Tybee) took the stage as The Chris Childs Orchestra and performed his composition /ˈsīlən(t)s/, a study of tones and moods in three movements. 


Little Tybee's Nirvana Kelly (left) took a very short solo.


I hesitate to provide a clip, as the whole composition was so varied and dynamic that any segment taken out of context does not at all represent the whole.  But, whatever, here's 30 seconds of /ˈsīlən(t)s/.


It was a breathtaking and wonderful performance, and in keeping with the DIY ethic of the Broad Street Arts Center, it showed how even orchestral music can be composed, performed, and presented outside of the mainstream by self-motivated artists.  

I on't know what the future plans of the Orchestra are, but Atlanta would be a far more interesting city if music and art continued to be presented in settings like The Mammal Gallery and the new Broad Street Arts District.

Friday, July 24, 2015

Faun and a Pan Flute

Faun and a Pan Flute at Artlantis, 2012
Atlanta's answer to the avant-garde, Faun and a Pan Flute, because why not?


Tuesday, September 16, 2014

Wednesday, April 23, 2014

Saturday, April 5, 2014

Atlanta Film Festival Sound + Vision

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Before I start falling too far behind, let's recap last Thursday night's Atlanta Film Festival Sound + Vision event at The Goat Farm.  I've already posted pictures of some of the visual offerings from the event over at the other blog, so here's a summary of the musical portion of the events.


When I arrived, Florida's The Dewars were on stage.

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I hadn't heard of The Dewars before and wasn't quite sure what to expect - they describe themselves as "adult sing-along."  What they performed was witty and entertaining folk pop, as in their song Switzerland, the video of which was also periodically projected outside on a large screen.


Atlanta's electronic band Jungol were up next, and they brought a friend on stage with them.

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The friend is a character from their short film/extended video Go Softly, which seems to fall somewhere in the Animal Collective-to-Bjork continuum of strangeness for strangeness's sake that doesn't need to be explained.  



Anyway, the friend lent an enigmatic and powerful presence to the stage while Jungol performed.  

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Here's the entire Go Softly film, which was also one of the featured "experimental films" being screened in the building across from the band's performance.


Atlanta's eight-piece Faun And A Pan Flute took the stage sometime around 10 pm.  FAAPF play an indescribable brand of music that's equal parts Harry Partch, Terry Riley, Steve Reich, jazz fusion, math rock, minimalism, and prog, and I'm probably leaving out a half-dozen or so other genres that they covered.  It can be pretty adventurous and avant garde stuff at times, and I think it says a lot of good things about Atlanta's musical audience that the band seems to be so well loved and appreciated.

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The weather was absolutely lovely the whole night - warm and dry, with a pleasingly low pollen count.  But despite the weather, and despite the terrific performances, fascinating films and videos, and fantastic art installations, I still called it an evening after Faun And A Pan Flute so that I could get home at an early enough hour to get a good night's sleep and be ready for another evening of live music on Friday.