Showing posts with label Helio Sequence. Show all posts
Showing posts with label Helio Sequence. Show all posts

Sunday, April 24, 2016

This Week's Shows (4/25 - 5/1)


Another good week for music here in Atlanta, with sets by The Joy Formidable, The Helio Sequence, Father John Misty, Poliça, Vetiver, and even the formerly reclusive but now strangely regular Residents, with much in between and culminating in the two-day Atlanta Mess Around.

As always, please keep in mind that musicians and night-club proprietors lead complicated lives and I'm prone to errors, mistakes, typos, and fubars; it's advisable to confirm any of the information below on your own before making plans.

MONDAY, APRIL 25


NOFX, Direct Hit, Mean Jeans, Karbomb (The Tabernacle)

NOFX was formed in 1983 by vocalist/bassist Fat Mike and guitarist Eric Melvin and rose to popularity with their fifth studio album Punk in Drublic (1994).  NOFX's mainstream success was buoyed by the growing interest in punk rock during the 1990s, and although they have never been signed to a major label, the group has sold over 8 million records worldwide, making them one of the most successful independent bands of all time. The NOFX sound utilizes elements of punk rock, skate punk, melodic hardcore, ska punk, and other music genres, and recent songs have focused on issues such as left-wing politics and anarchy, society, racism, sexism, homophobia, class inequalities, the use of drugs, media, and religion. Song lengths have ranged from under a minute, such as I Gotta Pee (0:32) to The Decline, which is 18:22.

Butch Trucks & The Freight Train Band, The Ries Brothers, The Bitteroots (Music Room at Smith's Olde Bar)
Drummer Butch Trucks is a founding member of The Allman Brothers Band along with Duane and Gregg  Allman, Dickey Betts, Berry Oakley, and fellow drummer Jai Johanny Johanson. The two drummers developed a rhythmic drive crucial to the band's sound, with Trucks providing a powerful conventional beat while the jazz-influenced Johanson adding a second layer of percussion and cymbal flourishes. Dickey Betts once said that when Butch came along, "he had that freight train, meat-and-potatoes kind of thing that set Jaimoe up perfectly. He had the power thing we needed."

Mishka Shubaly, Star Anna, Ben Trickey (The Earl)
New York-based singer, songwriter, and author Mishka Shubaly has earned a loyal following for his gritty autobiographical tales. Following a turbulent childhood, he began drinking and by the time he enrolled at Columbia University, he was a full-blown alcoholic and drug addict. After graduation, Shubaly hit the road, performing his songs in a gruff but expressive voice at indie venues around the country. In 2009, Shubaly finally got sober, and in 2011, he published an autobiographical essay called Shipwrecked. The piece became a surprise success, and Shubaly penned a handful of subsequent pieces based on his experiences that earned him a loyal following. While Shubaly's success online led to a book deal with Public Affairs Press for a memoir scheduled for publication this year, he didn't abandon his music, and in 2015, he released Coward's Path, his first album since giving up drugs and alcohol.

Mystikal, Loaf Muzik, Kebbi Williams & The Wolfpack (Aisle 5)
Mystikal, the debut album by New Orleans' rapper Mystikal, was released in 1995.  Mystikal's funky flow style has been compared to legendary soul screamers Little Richard and James Brown, and Mystikal was nominated for a Grammy for Best Male Rap Solo Performance in 2003. However, that same year,  he was sentenced to six years in prison on charges of sexual battery and extortion after pleading guilty to forcing his hairstylist to perform sex acts. While incarcerated, Mystikal was charged with two federal misdemeanor counts of failing to file tax returns for 1998 and 1999, but was allowed to serve the one-year federal sentence concurrent with his six-year state sentence.  Mystikal was released in January 2010 after serving six full years, but in February 2012, he was arrested again following a dispute with his domestic partner and was later given a misdemeanor charge of domestic abuse battery. He was detained for nine days and then released on bail, but then was given a three-month jail sentence for violating the terms of his probation. He was released from jail in August 2012 and has since collaborated on songs with Mark Ronson and Stevie Stones, and earlier this year performed shows in Bahrain and Bulgaria.

Sadistic Ritual, Hell Cannon, Obsolescence (529)
Sadistic Ritual is an Atlanta thrash metal band for fans of old school thrash and death metal.

Hero The Band, Steve Cantrell (Vinyl)
Hero the Band are an alternative pop/rock band from Atlanta.  Hip-hop artist Steve Cantrell is from Albany, Georgia.

TUESDAY, APRIL 26

The Joy Formidable, The Helio Sequence (Terminal West)
The Joy Formidable consists of Ritzy Bryan (lead vocals, guitar), Rhydian Dafydd (bass) and Matt Thomas (drums). Their "darkly joyous soft-loud racket" (The Guardian) draws heavily on shoegaze and noisy alt-rock. Formed in North Wales in 2007, the band later resettled in London. After releasing several singles, the group issued the mini-album A Balloon Called Moaning in early 2009.  The Joy Formidable kicked off 2011 with the release of The Big Roar, their well-received, full-length studio debut. The band spent the following year writing its second record while on the road, and the resulting Wolf's Law, which was recorded in the small town of Casco, Maine, arrived in early 2013. The following year saw the band issuing a series of monthly, vinyl-only singles sung in their native Welsh, and in March of this year, they released their much-anticipated third studio album, Hitch. Openers The Helio Sequence are the eclectic and engaging indie pop duo of Brandon Summers and Benjamin Weikel from Portland, Oregon.

Helio Sequence at Terminal West, January 19, 2013
The Joy Formidable at Park Tavern, September 6, 2015
Smashing Pumpkins, Liz Phair (Cobb Energy Center)
Chicago's Smashing Pumpkins (original members Billy Corgan and Jimmy Chamberlin included) are on an acoustic tour this year, with support from fellow ’90s-alternative great Liz Phair on her first proper tour since 2011. The Smashing Pumpkins were one of the biggest alternative bands of the '90s and deftly mixed guitar-heavy '70s arena rock with the sullen mope-rock of the '80s, and fellow Chicagoan Phair was the lo-fi figurehead for the indie singer/songwriter movement, whose confrontational and controversial subject matter proved very influential.

Argyle Goolsby & The Roving Midnight, The Casket Creatures (529)
Argyle Goolsby was the bassist/singer for Blitzkid, one of the leading exponents of the horror punk scene. Active from 1997 until 2012, Blitzkid released five studio albums, appeared on numerous compilations, and toured both nationally and internationally.  In 2007, Goolsby also played bass and performed vocal duties for Gorgeous Frankenstein, a project headed by ex-Misfits guitarist Doyle Wolfgang von Frankenstein,  making him one of horror punk's more visible figures.  In 2002, Goolsby also played bass for The Undead, the notable horror punk band featuring ex-Misfit Bobby Steele. Blitzkid's melodic approach to the horror punk genre was noted for its strong vocals, and Blitzkid was not sonically dissimilar to such non-horror punk peers as NOFX (see Monday night).

The Brevet, The Tin Man, Steve Everett (Vinyl)
By combining Americana rock, sweeping orchestral tracks, gang vocals, notable choruses and connective emotional lyrics, The Brevet passionately spills their hearts through cinematic sounds which has led to fans and critics labeling them as one of the first in the "Epic Americana" genre.

WEDNESDAY, APRIL 27

Steel Panther (The Tabernacle)
Lowbrow humor-driven mock-metal band that evolved from Los Angeles-based hair metal tribute band Metal Shop (later Metal Skool).

Delicate Steve, Dot.s, Shepherds (The Earl)
Delicate Steve is the brainchild of New Jersey-based experimental pop songwriter Steve Marion. Atlanta's Dot.s started as Ryan James' solo project and has since grown to a five-piece group combining acoustics, electronics and layered vocal harmonies, and their album Jellyfiss alternates complex rock songs with comedy sketches. Atlanta post-punk noise/soul outfit Shepherds is fronted by guitarist Jonathan Merenivitch (Janelle Monae, Del Venicci, Dog Bite, and probably more).

Delicate Steve at The Earl, October 29, 2011

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Dot.s at The Earl, September 12, 2014
Shepherds at Artlantis
Laura Stevenson, Crying, Chris Farren, Dakota Floyd (Purgatory at The Masquerade)
Laura Stevenson is a singer-songwriter based on Long Island and formerly a keyboard player for the musical collective Bomb the Music Industry!

Oryx and Crake, Black Linen, Grand Vapids (Eddie's Attic)
Oryx and Crake are a sextet fronted by the husband-and-wife duo of Ryan Peoples and Rebekah Goode-Peoples, and includes a cellist and a violinist in addition to the usual rock instrumentation. The band plays orchestral folk-pop in the manner of bands like Typhoon and The Family Crest, and although I find comparisons misleading, they've also been likened to Arcade Fire, Sufjan Stevens, and Lost in the Trees.

Oryx & Crake at Thre Earl, September 12, 2015
Coleman Hell, Ria Mae, Social (Vinyl)
Toronto's Coleman Hell is a raspy-voiced, genre-mingling dance producer/singer/songwriter.

McLovins, Little Raine Band (Aisle 5)
McLovins are a Connecticut-based jam band that played Aisle 5 back on January 30.

THURSDAY, APRIL 28

Santigold, DonMonique (The Tabernacle)
The stage name of singer/songwriter/producer Santi White, Santigold fuses punk, reggae, grime, and indie rock with electro. Originally dubbing herself Santogold, a nickname given to her by friends, her diverse musical background is reflected in acclaimed her albums and singles.  Born in Philadelphia, White grew up listening to reggae, jazz, Fela Kuti and Nigerian music, soul legends like James Brown and Aretha Franklin, and punk and new wave acts such as Devo and Siouxsie and the Banshees. With a double major in music and African-American studies at Wesleyan University, she began her musical career in the '90s, working as an Epic Records A&R representative.

Lea Lea, Swim Lessons, Sad Fish, Loudermilk and Moon, Marshall James Kavanaugh (Mammal Gallery)
Lea Lea is an Atlanta-based experimental folktronica performer.  Sad Fish plays Brazilian freak surf rock.  Both bands played the Mammal Gallery back on March 23.

The New Mastersounds, Moon Hooch (Terminal West)
British quartet rooted in soul and funk, plus jazz sensibilities and chops fine-tuned for maximum danceability.

The Whistles and Bells, Liza Anne (Vinyl)
The gospel-tinged indie folk solo vehicle of singer/songwriter and ex-Cadillac Sky frontman Bryan Simpson.

Banditos, Pony League, The Muckers (The Earl)
Rough but rollicking and deeply eclectic roots music sextet from Nashville by way of Alabama.

OBN IIIS, Illegal Drugs, Easy Magick, Bad Spell (529)
The rowdy and booze-soaked garage rock quartet from Austin OBN IIIs are named for their singer and frontman Orville Bateman Neeley III. OBN is a wildly entertaining madman, bellowing out the vocals, striking macho rock-star poses, and menacing the audience.

OBN IIIs at Terminal West, November 2, 2013
Roadkill Ghost Choir, Deep State, Thayer Sarrano (Aisle 5)
"Shoegaze americana" outfit Roadkill Ghost Choir has been playing Atlanta quite a bit lately, appearing at The Earl each of the past two weeks.

Roadkill Ghost Choir at The Earl, August 9, 2013
Glen Phillips (Eddie's Attic)
This is the first of a two-night stand by Glen Phillips, formerly of Toad The Wet Sprocket, not Glenn Phillips of the Glenn Phillips Band.

FRIDAY, APRIL 29

Father John Misty, Tess & Dave (The Tabernacle)
Father John Misty is ex-Fleet Foxes drummer Joshua Tillman's Harry Nilsson/Gram Parsons-loving alter ego.  Father John's music paints languid, sadly beautiful portraits of love and life on the margins with the moody depth of Nick Drake and the country-influenced textures of Ryan Adams. and has cited the music of Nick Drake and Pete Seeger, and the writings of Flannery O'Connor, as key influences.

Father John Misty at Terminal West, October 18, 2012
Poliça, Mothxr (Terminal West)
The brainchild of the Minnesota producer Ryan Olson, Poliça is distinguished from dozens of contemporaries by the sore, emotive vocals of Channy Leaneagh. The band was early to the party; on their 2012 début, Give You the Ghost, they leaned heavily on the rhythms and vocal textures of R&B in art-rock experiments. They’re emblematic of the boundless music that comes from the Midwest, at once insulated from and insatiable for the more pronounced aesthetics of the East and West Coasts: as if to proudly boast their lack of regard for boundaries, the video for Wedding weaves together dash-cam footage and scenes of Henson-esque puppets warning children about police brutality, its score a haunting, twitchy anthem for insurrection that Leaneagh performs with grace.

Polica at Bumbershoot. 2014
Sevendust, Trivium, Like A Storm, Westfield Massacre (Center Stage)
Sevendust are an Atlanta metal quintet that blend bottom-heavy riffs and soulful, accessible melodies.

Atlanta Mess-Around 2016 (The Earl)
The first day will feature Wreckless Eric, Dinos Boys, Omni, Death Stuff, The Real Kids, Barreracudas, The Tough Shits, Death Index, MAMA, Thee Tsunamis

The Midnight Larks, Flying Faders, El Capitan & the Band with No Name, Antarcticats, DJ Dusty Booze (Star Community Bar)


Breathers, Paperhaus, Shampoo, Feast of Violet (Mammal Gallery)
The D.C. band Paperhaus, long purveyors of a DIY venue that went by the same name, make math rock that never feels cold. Their latest song Silent Speaking starts out with a precise, off-kilter beat that wouldn’t feel off on an In Rainbows track, then builds momentum to a big, hearty conclusion. Atlanta bands Breathers, Shampoo, and Feast of Violet share the bill.


Reuben's Bell, Prisca, Dreambrother (Vinyl)
Reuben's Bell is an Atlanta-based rock band which presents a strong sense of musicianship passed down from generations of fathers to sons. All band members come from a strong family of music, community, and tradition that continues to grow between each band member and the ever expanding RB family.

An*Ten*Nae, Mihkal, Live Animals, GemNeye (Aisle 5)
An*Ten*Nae is one of San Francisco’s most sought after DJs and live performers. He has taken the art of live remixing to new heights with his own customized setup that bends genres in ways seldom heard. This sound is called Acid Crunk, and there are no rules, no restraints in its quest for pure BASS devastation.

Glen Phillips (Eddie's Attic)
This is the second of the two-night stand by Glen Phillips, formerly of Toad The Wet Sprocket, not Glenn Phillips of the Glenn Phillips Band.

SATURDAY, APRIL 30

Snarky Puppy, Lucy Woodward (The Tabernacle)
Texas-based jam band centered around bassist Michael League that fuses jazz, funk, and rock.

Vetiver, Book Club (Vinyl)
California's Vetiver are folk-rockers whose sound is heavily influenced by late-'60s/early-'70s hippie-folk troubadours. When Vetiver released their first album in 2004, they were commonly lumped into the freak folk movement alongside the likes of Joanna Newsom and Six Organs of Admittance, thanks to leader Andy Cabic's friendship with scene founder Devendra Banhart. In addition to Banhart's musical contributions to Vetiver's first two albums, Cabic co-wrote Banhart's breakout song At the Hop, which appeared on 2004's Rejoicing in the Hands.  Banhart paid tribute to his friend's band in the song When the Sun Shone on Vetiver.  However, the band's roots encompassing the U.K. shoegazer scene and the mid-'90s D.I.Y. indie rock scene.  Atlanta's Book Club is the indie, country, melodramatic popular song project of Atlanta's Robbie Horlick.

Vetiver at Bumbershoot, 2011
Book Club at The Earl, January 31, 2013
Random Rab, Cloudchord (Terminal West)
Ashland, Oregon's Random Rab emerged from the West Coast electronic music scene, offering a powerful and unique contribution to sonic exploration. Often referred to as "The Master of Emotion" his music is patently beautiful and melodic. With diverse influences ranging from trip-hop, classical and Arabic to bass driven compositions, his songs are considered anthemic and timeless.



Atlanta Mess-Around 2016 (The Earl)
The second day will feature Buck Biloxi and the Fucks, Golden Pelicans, Slugga, Uniform (ATL), Menthol, Enoch Ramone & The Ebola Boys, The Gizmos, Hank Wood & The Hammerheads, Predator, Nervosas, Negative Scanner, Nurse

From Indian Lakes (Aisle 5)
From Indian Lakes is the experimental indie rock brainchild of California based multi-instrumentalist Joey Vannucchi. He began writing songs in a small mountain community just outside Yosemite National Park and later enlisted the help of friends to perform his material. Vannucchi continues to evolve the project's sound into music that blurs the boundaries of genres like indie, post-rock and alternative.

Blis, Bear Girl, FS,  Fox Wound (The Drunken Unicorn)
Because you have to list at least one show per week at the Unicorn.  It's like a rule or something.  

SUNDAY, MAY 1

The Residents (Variety Playhouse)
This legendary San Francisco band is an enigma—for years, its members’ identities have been shrouded in mystery, their heads covered by giant eyeball masks adorned with top hats. The veil has been lifted somewhat with the release of a documentary, The Theory of Obscurity, which features extensive interviews with representatives from the Cryptic Corporation, the group’s public persona, who some suspect are the actual Residents. They detail the vast terrain—the history of American music, Eskimo culture, the Bible—that the group has explored in performance-art-tinged shows since moving to California from Shreveport, Louisiana, in the early nineteen-seventies. Concluding the celebration of their 40th anniversary, The Residents have announced Shadowland, Part 3 of the Randy, Chuck & Bob Trilogy. Aspiring to examine life in reverse, the trilogy began in 2010 with The Talking Light, a study of ghosts and death; reflecting on love and sex, the group continued with their Wonder of Weird tour in 2013; and finally with Shadowland, Randy, Chuck & Bob will focus on the beginning of life – birth. As with Parts 1 & 2 of the trilogy, Part 3 will feature music from The Residents’ extensive catalog interspersed with short videos about birth, rebirth, reincarnation and NDEs (near death experiences).  Get there early for a screening of Theory Of Obscurity.


Enter Shikari, Hands Like Houses, The White Noise, Renacer (Heaven at The Masquerade)
Enter Shikari are an English post-hardcore band known for its dynamic live show and D.I.Y. business sense.

Bear Mountain, Young Empires (Vinyl)
Vancouver-based indie-electronic band makes atmospheric, lightly experimental, R&B-influenced dance music. 

John Brown's Body, Jonathan Scales Fourchestra (Terminal West)

Named in honor of the legendary abolitionist, reggae unit John Brown's Body was led by singer/guitarist Kevin Kinsella, a longtime fan of Caribbean music who formed the group Tribulations while attending college in Boston in 1989. Striving for a more organic roots reggae sound, Kinsella founded John Brown's Body in 1995 .

Kawehi, Lucis Flux (Aisle 5)
Hawaiian independent artist Kawehi (kuh-veh-hee) is known across the nation for her live shows as a one-woman band, creating intricate loops via beatboxing, a guitar, a midi keyboard and Ableton Live. She is known for her opinionated songwriting, centering her music messages around social issues and injustices. Kawehi's videos and songs have been featured on CBS News Most Viral Videos, Vimeo, Booooooom!, Sony Music, Huffington Post, Esquire, Spin, Elle, Maxim, People, Devour, Gizmodo, etc.

Saturday, June 13, 2015

Tonight

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What to do tonight, you ask?  (Of course, you don't - I put that question rhetorically merely so I could give my own answer).  Today is one of those embarrassment-of-riches days where there's more going on than any one person could possibly take in.

Chances are good that if you're one of the 10 or so readers of this blog, you're probably already at Bonnaroo up in Tennessee right now - the festival's going strong and is already in its third of four days.  I don't go because too big, too crowded, too hot, camping, too much hip-hop, etc. Also, selected sets are being web cast at Red Bull TV, but if you're there have fun and radiate positivity! 


If you're not at Bonnaroo but still want to hear a bunch of bands, you could go over to Oakland Cemetery for the 5th Annual Tunes From The Tombs (better hurry - it ends at 8 pm; wouldn't want people in the graveyard after dark).  In one of those things that sounds like it just couldn't really be true, the cemetery sets up about four of five stages in between the historic graves, crypts and tombs on the grounds and allows music to play for a small, one-day festival.  They even sell beer.  This year's bands include Atlanta's Little Tybee and 90's veteran Matthew Sweet.  I've gone to the first three, and passed for the first time last year, as each year the bands booked were less and less eclectic and more and more adult-friendly ("Dad-rock").  Little Tybee don't fall into that category but if you live in Atlanta, you don't hurt for opportunities to hear Little Tybee, so I'm not going this year either - besides, I just visited the cemetery last Memorial Day weekend.


If it's the eclectic you're looking for, you may want to head over to The Goat Farm for Samādhi-Bhāvanā: The Stone Tapestry, a piece commissioned by the Barlow Endowment for Music Composition at Brigham Young University.  This hour-long piece is composed for contrabass flute, vibraphone, percussion quartet, and electronics, and will include guest artists The A/B Duo, Meerenai Shim and Chris Jones.


That may sound a little high-brow, so on the other extreme, Quintron and Miss Pussycat is playing at The Earl tonight.


Meanwhile, The Helio Sequence will be playing at The Drunken Unicorn.


Bonus points: fellow Portland band Lost Lander will be opening.

Lost Lander at The Doug Fir, MFNW (RIP), 2011
Apparently, it's Portland night here in Atlanta, because while The Helio Sequence and Lost Lander are playing at The Drunken Unicorn, Portland's Unknown Mortal Orchestra will be playing at Terminal West, fresh from last night's performance at Bonnaroo.  


As previously noted, it's one of my unofficial jobs to support bands playing here from the Pacific Northwest, so that reduces the number of options for me tonight to The Helio Sequence and Lost Lander at The Drunken Unicorn and Unknown Mortal Orchestra at Terminal West.  It was a hard choice, but I bought my ticket for UMO and am looking forward to the show, even though I've seen them several times before.

Unknown Mortal Orchestra at The Doug Fir, MFNW (RIP), 2011
Unknown Mortal Orchestra at 529, Atlanta, 2013
Unknown Mortal Orchestra at Branx, MFNW (RIP), 2013
Unknown Mortal Orchestra at Terminal West, Atlanta, Rocktober 2013

Would that we had this much choice every weekend!

Friday, October 11, 2013

The Helio Sequence and Menomena at Terminal West, Atlanta - October 10, 2013


The 1990's: a bunch of kids in Beaverton, Oregon, a suburb or Portland, hanging out and forming bands. They all become good friends and wind up playing at each others' gigs at parties and small clubs. Eventually, they get signed but to different labels and end up touring separately, recording separately, and proceeding on separate paths. Those paths diverged until this year, when they finally wound up touring together for the very first time.  Last night, that tour brought Portland's Menomena and the Helio Sequence to Atlanta, Georgia's Terminal West.

Menomena opened.


We've seen Menomena a bunch of times before, including a 2010 gig at Variety Playhouse, and then at MFNW 2012, right as they had released their most recent record, Moms, and were all over town.  We saw them three times that week (a KEXP daytime show at the Doug Fir and then later that same day their main MFNW set at Pioneer Courthouse Square, and at the OPB party at Mississippi Studios), and it felt like you couldn't walk into a coffee shop and not find Menomena performing in the back of the store.  This, then, was our fifth time seeing them. 


They were great as always, although the sound mix was fairly muddy for the first half of their set and bassist-saxophonist-multi-instrumentalist Justin Harris was plagued with equipment malfunctions (dead mic, broken guitar string, and some sort of laptop problem I couldn't comprehend).  But despite these setbacks (or maybe because of those setbacks), their quirky and complex songs were still entertaining and fascinating.


Before they started work on Moms, founding member Brent Knopf left the band to form Ramona Falls, whom we recently saw at Bumbershoot this year (and at the godforsaken Masquerade earlier this year). In his place, Menomena had two touring musicians, at least one of whom (the guitarist in the Maps & Atlases t-shirt) I recognized from the 2012 gigs in Portland.


The Helio Sequence got the honor of headlining.  We've seen them only once before, earlier this year at this same venue (Terminal West).  



The Helio Sequence consists of only two musicians, but together they sound like a much fuller band. Drummer Benjamin Weikel is able to produce bass-like lines with his bass drum and toms, while filling in other drum beats and looking like he's having more fun than anyone else in the room. Guitarist Brandon Summers creates layers of sound with loop pedals and other effects, and if you close your eyes, you'd think that at least a four-piece band was on the stage in front of you.


Their tightly structured songs don't leave much room for improvisation - this isn't a band that's going to suddenly go jam-band on you - but the sheer precision and craftsmanship that goes into their songs more than compensates for any lack of surprise.  They played a great set of fun, sunny rock songs and played them well, and that's more than most bands can say.


On a final note, the Rail King's streak continued: like at the past three shows I've gone to, I managed to get the best position in the venue last night - right in front of center stage, no one in front of me but the band and smack dab in the center.  Awesome.  But it wasn't as much of a challenge last night (getting and keeping that spot for Savages was the real achievement of the week), as the crowd was surprisingly small for these two bands - the twin billing last night of Passion Pit and The Joy Formidable at the godforsaken Masquerade may have lured many of the customers away.  

Hell, if it weren't for this show, I probably would have been there myself. 

Sunday, January 20, 2013

Shabazz Palaces, The Helio Sequence at Terminal West, Atlanta - Jan. 19, 2013


Last night's performances at Terminal West had a strong yin-yang quality to them: fire and ice, or the sun and the moon.  The meeting of the three disparate bands brought to mind the 13th Hexagram of the I Ching, Thung Zăn, or "Union of Men," with its imagery of the starry but dark heavens above and bright fires or the Sun below.


The opening band, Atlanta's DeadCAT (not to be confused with Seattle's palindromic TacocaT), started things off by balancing the two forces, combining the dark and the bright.  The band features a rock solid rhythm section and vocals with the reverb so heavy that not only were the lyrics undecipherable, so was most of the stage banter.  The result was a strange and distorted (but in a good way) set of garage psych-rock.  The bass and drums moved the feet, the vocals opened the mind.











This was actually my third time seeing the next act, Seattle's Shabazz Palaces, but oddly my first time seeing them at night.  I previously saw them in a daytime performance at Bumbershoot 2011, and then again opening just before sunset for My Morning Jacket at McMenamin's Edgefield in lovely Troutdale, Oregon during MFNW 2012.  I've seen the band's Ishmael Butler perform with Thee Satisfaction at Bumbershoot 2012 (coincidentally on the same day is saw TacocaT), and going way back in the time machine, I saw Butler perform as Butterfly with the Digable Planets at Pittsburgh's Rosebud back around 1993 (sorry, no link to that pre-internet performance). Admittedly  the last two were evening performances, but then again, they weren't Sahabazz Palaces performances either.

Anyhow, last night, Shabazzz Palaces played on a nearly dark stage, with just a couple spotlights roving the perimeter of the stage and the audience, as was fitting for their artistic and avant garde take on hip hop.  A duo, the band transcends the usual hip-hop convention of one MC and one DJ, with both Butler and multi-instrumentalist Tendai 'Baba' Maraire handling vocals, electronics, and percussion, although Butler dominates the vocals and Maraire the percussion.  This is a dark, spooky form of hip hop, perfect for late night listening, the spacey, upper trigram of the Thung Zăn hexagram.

For the record, their nearly 45 minute set was the best that I've heard yet from this innovative band.











The bright, lower part of the hexagram was provided by the indie pop of Shabazz Palaces' Sub Pop label - and tour mates, Portland's The Helio Sequence.

The Helio Sequence are touring for the first time in four years behind their first album, Negotiations, in as long a time.  The band consists solely of guitarist/singer Brandon Summers and drummer Benjamin Weikel, who, it's been noted, may quite possibly be the happiest looking drummer on the face of the planet.  Taking the stage with only two guitars, a drum kit, and Weikel's laptop, it's hard to believe the amount of music they're capable of generating.  I have no quarrel with, and in fact rather enjoy, the Black Keys stripped-down rock using the same instrumentation, but The Helio Sequence produces a spacious wall of sound that someone just listening to a recording might mistake for a much fuller band.  I kept watching to see how the magic was done, but couldn't figure out how Summers got so many simultaneous lines out of his guitar.


As befitting their sunnier sound, the Terminal West stage was more fully illuminated for the Helio Sequence set, which provided a luminous counterpoint to the dark Shabazz Palaces set, the yin to the yang, the lower trigram that completed Thung Zăn.












For their encore, The Helio Sequence provided two folk-pop sounding songs, featuring Summers on harmonica.


  




I couldn't help but notice a large turnover in the audience after Shabazz Palaces' set.  At least three-quarters of the people standing around me for Shabazz Palaces left after their set, and the people surrounding me during The Helio Sequence had either been further back in the audience (I had managed to find a spot in the second row from the stage) or had just arrived.  I don't know if it's the difference between hip hop and rock, between the avant garde and the mainstream, or a racial distinction (this is, after all, still Georgia), but it's  nevertheless unfortunate that there are those who's personal feng shui is still not balanced between the light and the dark.

In his commentary on Thung Zăn ("Union of Men"), Deng Ming-Dao notes that in our present era, we isolate ourselves from one another and allow our society to stratify into different classes.  It is hard to remember that a true community, a true Union of Men, should be as easy as growing plants or sailing down a river.  As easy as enjoying music together.  In fact, a community that is hard to assemble or that must be maintained by coercion is not a true community.